“Start telling the stories that only you can
tell, because there’ll always be better writers than you and there’ll always be
smarter writers than you. There will always be people who are much better at
doing this or doing that - but you are the only you.” – Neil Gaiman
As
I read Home Leave, the above Gaiman’s quote echoed through my head incessantly
(until I eventually googled it to find the exact right wording). Home Leave is a perfect example of an author
telling a story only she can tell.
Sonnenberg’s own childhood growing up on three continents allowed her to
convincingly write about an American family’s expatriate life. Her own
experiences give her characters an authenticity that grounds the story.
I
read about Sonnenberg and review of Home Leave before actually reading the
book, so I was aware that the main storyline tracked Sonnenberg’s own
experiences. The novel is about an American couple raising their two daughters
abroad. Tragedy strikes and the novel
probes: would this tragedy have occurred if the family was living somewhere
else? Sonnenberg, grew up outside the US
and suffered the death of her sister.
She initially started writing a memoir but found fiction to be a better
vehicle for making sense of her own history. While Sonnenberg’s experiences
ground the novel, it is her inventive narration that captured my interest.
The
novel is told from various perspectives. The first narrator is the house at
1116 Arcadia Avenue, Elise Kriegstein (formerly Elise Ebert) childhood home.
1116 Arcadia Avenue is a unique narrator and her voice is quite distinct. Even upon re-reading I marvel over the
sentences:
“But I was so thrilled to see Elise that I didn’t dwell on her
odd behavior, or on the fact that my insides felt like they had ten years
earlier, during Vidalia’s only recorded earthquake. Most of my friends, the older ones, can
recall similar incidents of shakiness or decay and the depression that
followed, knowin they were now officially over the hill.”
It’s
a clever construct to have a house reveal family secrets, and yet one that
makes so much sense. So much occurs
within a family home, and so many stories lurk inside physical spaces. A house with an aging matriarch would see and
understand a family but also have its own unique lens outside of each family
member. 1116 Arcadia Avenue reveals a
great deal about the Ebert family, and her narration helps the reader to
understand why Elise desired to leave Vidalia and her family history behind,
and why she has been away for five years. She also slowly reveals additional
details about the tragic events in Elise and Chris’s life. 1116 Arcadia also narrates Ada’s (Elise’s
mother ) decline and mourns the loss of its complicated inhabitants. Later,
Sonnenberg introduces the idea that deceased people can come back to life in
the form of houses – an interesting idea that connects to other fanciful
narrations in the story.
Next
the reader journeys to a retirement community in Chariton, Indiana. Chris Kriegstein’s parents are newly ensconced
in this world, when they receive a phone call from a student creating a
Chariton High Athletes: Where Are They Now feature for the school
newspaper. Chris was a basketball star
at Chariton High School; his skills on the court catapulted him from his small
town to the University of Georgia and eventually to a professional life that
spanned countries and continents. Chris
Kriegstein’s parents – Joy and Frank-- have compelling voices. They sound like
many aging seniors. They gave up their farm, they wish their son was closer,
they don’t understand scanning, they try their best to understand the next
generation’s choices. Joy believes her daughter “missed her train” when she
broke off her engagement to a high school geometry teacher in 1975. Frank has started tearing up quite a few
times a day. He takes it upon himself to
respond to the high school newsletter which was factually inaccurate and writes
a letter to the editor. Ultimately Joy
decides to write her own article too – about her single fifty year old daughter
who “puts things where they belong.”
Overall, this chapter helps the reader to understand Chris’s unique
family history while also seeing that storytelling is uniquely different based
on who controls the pen.
Part
two finally provides the perspective of Chris and Elise. In Germany in 1981, Chris rides his bike to
work each weekday, and Elise sleeps in while gestating their first daughter.
Elise is contacted by a German family with a similar last name who is mourning
their daughter and mother and is powered forward through a unique
experience. The new parents are then in
India and Philadelphia. Eight thousand
miles apart from each other, each encounter a corpse and are deeply shaken.
Both return home with important news – another baby and another home base. We are introduced to the idea of the new
child, before we suddenly learn of her death.
In
some ways the structure of the novel is unsettling. In the beginning it was
hard to figure out where the story was going.
It took a while to realize that part of the novel was being narrated by
a ghost. But I think the unsettling
narration successfully helps the reader to better understand the experience of
being an expatriate. We are jostled and
zoomed forward, we arrive places before we are ready to get there. We have to
turn back to previous chapters to remind ourselves of specific details. We are traversing different time periods and
continents and thus we can truly understand what it means to live life in a
different country.
In
Part four, we see the aftermath – we get to see the experiences of the family
through the eyes of the remaining daughter, and we get to feel her sense of
displacement as well as her hunger for a sense of home. We also get to see how Chris – the roving
father—has been affected by his loss. He
dreads Leah’s wedding as it marks a further step away from the time when they
were an intact party of four.
Sonnenberg
has created unique characters with unique experiences and very specific lens on
the world. They felt deeply real to me –
self-centered, flawed, broken, striving, human.
She has taken her own experiences and used them to create such an artful
universe full of probing and lingering questions. I highly recommend Home Leave and know I will
read it again and likely glean even more meaning from its themes and stylistic
choices.
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